Study for Homage to the Square: In Wide Light, 1956. Josef Albers. Study to Homage to the Square: Veiled, 1958. Josef Albers. Study for a Variant/Adobe, ca. 1947.. (AI) system, without written permission from The Josef and Anni Albers Foundation... Homage to the Square. The celebrated German artist Josef Albers is known and remembered for many things. However, the most notable is perhaps his world-famous series known as Homage to the Square.Albers's Homage to the Square is also one of the most recognizable and influential series of the twentieth century produced from 1950 to his passing in 1976.

Homage to the Square Wondering, Josef Albers, 1964 RegenAxe
Josef Albers Study to Homage to the Square Bronzed (1959) MutualArt

Josef Albers Homage to the Square Serigraphs by Josef Albers
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Josef Albers (18881976) , Study for Homage to the Square Light Orange, Violet with Deep Red
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What are Josef Albers’ Homage to the Square paintings? Public Delivery

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Josef Albers Homage to the Square Soft Spoken The Metropolitan Museum of Art Josef albers

Josef Albers Original Homage to the Square Serigraphs by Josef Albers
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Josef Albers (18881976) , Study For Homage to the Square R III a 6 Christie's

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What are Josef Albers’ Homage to the Square paintings?
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Josef Albers (18881976) , Homage to the Square Open D Christie's

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What are Josef Albers’ Homage to the Square paintings?
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Josef Albers (18881976) , Study for Homage to the Square Michoacan Christie's

Josef Albers on his Homage to the Square The Guggenheim Museums and Foundation
These two works (BR67.2 and BR63.28) from Albers's series Homage to the Square exemplify his idea of art as a type of research. For each, Albers used the same basic format of nested squares, rendered in different media and sizes, to test various color combinations. He considered the series, which he returned to throughout his career, as a means to examine the logic of color and perception.. Josef Albers, Homage to the Square: "Ascending," 1953, oil on composition board, 110.5 × 110.5 cm (Whitney Museum of American Art) Though Albers began work on the Homage paintings in 1950, he was introduced to color theory very early in his career, when he enrolled as a student at the Bauhaus in 1920. The Bauhaus was a revolutionary school.